schmexpodec:

robert ryman
adreciclarte:

Michelangelo Pistoletto - The Ears of Jasper Johns, 1966
aubreylstallard:

David Hockney
gacougnol:

Ay-O18 Object . Jackson 1989 Screenprint
bojkowski:

From Make Believeby Matteo Giordano2011 
and π version coming soon…!
visual-poetry:

»impounded illusion« by sweeney reed (1976)
[via]
theories-of:

Mike Hein - Trailmarker 2012,found foam and acrylic
aubreylstallard:

Stellan Kristenson
the-drawing-center:

CLOSING SOON! 
Don’t forget to stop by The Drawing Center to see our current exhibitions. Drawing Time, Reading Time,  Dickinson/Walser:Pencil Sketches, and William Engelen: Falten will close this Sunday, January 12th.
Drawing Time, Reading Time  features an international group of artists spanning the 1960s to today, all of whom are engaged in exploring the relationship between drawing and writing as distinct yet interrelated gestures. Dickinson/Walser: Pencil Sketches brings together Emily Dickinson’s original poem manuscripts and Robert Walser’s microscripts for the first time in an art museum setting. William Engelen’s latest works, Falten [Folds], is an exhibition of a new series of musical scores for percussion by the Berlin-based artist.
Image: Mirtha Dermisache, Diario N° Año 1,1972. Ink on Paper,18 5/8 x 14 3/8 inches (page 4 of 8). Courtesy Henrique Faria Fine Art, New York.
colinquinn:

Louis Cane
ghosts-in-the-tv:

Teresa ┼╗arnowerówna, typographic composition, 1924
via 50 Watts
superamiga:

joereorda:MEL BOCHNER, Convex Perspective, 1967, Silhouetted gelatin silver print mounted on Masonite, 45 1/2 x 27 1/4 inches, 115.6 x 69.2 cm,  Unique
superamiga:

joereorda:Art & Language, STUDY FOR ‘PROJEKT 74’ (II), 1974, Ink, pencil and acrylic paint on paper, 101.5 x 113.5 cm (39.96 x 44.69 in)
accessibleexclusivity:

Eva Berendes
northern-man:

Sören Holmquist: Räv på åkerväg